These resources taught me about the publishing industry and the art of perfecting my creative writing. Without them, I’d be a deer in the headlights.
If you’re serious about your writing career, you have to check them out.
1. Holly Lisle
Lisle is a highly experienced author and writer, and a reliable source of information. Her site is the first writing resource I came across, and it also happens to be one of the best. It tops my recommendation list. She’s got excellent articles on the art of fiction writing and the world of publishing.
2. Writer’s Digest
This site offers so much to writers, I haven’t even explored all of it yet. It holds an extensive collection of articles from various contributors and is highly interactive, offering a forum, contests, workshops and various other community elements. However, since there’s a vast collection of advice and multiple contributors, don’t be afraid to take things with a grain of salt.
3. Jane Friedman
Friedman offers reliable advice like Lisle, however her background is in the publishing industry and she has more expertise related to the technical side of becoming an author. I haven’t explored her site fully yet, either, but from what I’ve read, it’s definitely high quality, interesting and helpful stuff.
4. Janet Reid AKA “The Shark”
Haha this one cracks me up so bad! Reid is an experienced, wise and hilarious literary agent. Not only is her blog entertaining, it’s excellent advice on dealing with agents and publishers. Definitely a great way to pass the time while arming yourself with knowledge!
5. The Query Tracker Forum
The Query Tracker website is great for anyone in the querying process (helps you track your query submissions and search up agents) and the forum is even better. You can post your query for review and the critiques can be game-changing.
I’ll have my snacks ready. I’ll settle comfortably into my chair. There’ll be no noise in the house and no one’s demanding my attention.
But the creative juices still won’t flow.
That’s not usually the case, but it does happen.
The emotional tone and subject matter of a story influence how ‘readily writable’ a story is. Think Frankenstein vs. Pride and Prejudice; the first follows a determinedly dark, heavy feel, whereas the latter employs a wider, lighter range of moods and emotions.
Depending on an author’s personality and emotional state, one of these would be easier to write than the other.
I’m always in the mood for creative writing but not always in the mood to deal with every subject and emotion. My stories tend to vary in emotionality and I strive for tonal balance whenever possible.
It would take me a ridiculously long time to write a story that was perpetually dark and heavy like Frankenstein. Building up that much brooding would take a while!
For things like that, I have to wait for organic processes and the right strikes of energy.
The most satisfying work flows from emotional conviction. It’s a natural process which is difficult to mechanically induce. Pushing yourself too hard just results in unsatisfying, substandard work.
That’s why I never force myself to write.
So I’ve been working on my YA urban fantasy AYAME. I released a sample of the first chapter but decided it was too premature.
As I looked for another sample of my writing, I came across a manuscript I wrote two years ago (it’s still untitled, so let’s call it The Maria Story). I wrote it fast and furiously, and in a matter of 3 weeks, I was on my last chapter.
But on the last chapter, as I took a short break from the story, I realized there were issues with it. I let it sit for a few months before reworking anything. However, when I finally came back to it, I just wasn’t feeling it anymore. The Maria Story had lost its charm. The original idea was flawed and this edited version was turning out no better. Feeling like it was a lost cause, I relegated the file to a deep, dark corner of my USB. Perhaps this was just part of the trade. Not everything you liked was good, and not everything good could actually sustain a story.
Now back to me trying to find a writing sample. I came across The Maria Story and I thought I could extract a good writing sample from it. And as I started reading it, my socks were very much blown off.
Oh. My. Word. Did I write this? How did I NOT finish?
After looking at it with a new mind, I’ve realized I can easily fix the story and make it a strong piece. And that’s why now, AYAME is sitting on the backburner as I finish up The Maria Story. It’ll probably take me a month.
It’s a story that’s very close to my heart. I hope I do it justice.
I’ll soon write another post with details on The Maria Story. If you’d like to get updates on the story, follow my twitter (@therainyraja) or this blog, or join my email list: http://eepurl.com/cP0i5v
Thanks for reading 🙂
Bonjour mes amis!
I’ve been on a steep learning curve lately. Being a writer is one thing and being a published writer, apparently, is another.
Here’s an exposé on what I thought publishing my book would be like:
- I’ll write a killer manuscript on my first try, because of course, I’ll edit and perfect things as I write, making sure only my best is getting on that Word document; it’ll save me time and I’ll barely have any editing to do at the end.
- Maybe it’ll be tough to get published, but when I do, oh boy will that paycheck be sweet.
- I’m such a hermit, but that’s okay because people will automatically know about my book. The publishers will handle all the marketing. Maybe I’ll never even have to show my face!
- My book will probably sell thousands of copies, just like most other books do.
- My work will be famous.
- I’ll need to have thousands of fans to be successful.
- I’ll make a living off my work! Maybe I don’t need to finish that last year of university after all.
- The hardest part is writing the actual book. Everything after that should be a breeze.
- Once a publisher accepts my work, success will be instant. My book will be on the shelves in just a few months. Oh la la!
Since I’m nearing the completion of my first novel, I thought I’d do some research on book publishing, just so I knew what the next steps would be.
Here’s my face after the five minutes of that research:
This is what pug-me realized:
- I will write many drafts of my manuscript before it’s presentable. The first version will be no better than the rough drafts we wrote in elementary school. This is why I was so slow to complete things before: I thought I had to have it perfect on the very first go. But in the words of Margaret Atwood, “If I waited for perfection I would never write a word.” That need for perfection and total control only ends up hindering your creative process. You start obsessing over the small stuff, and the big stuff never gets done.
- Most fist-time authors earn very little for their work. But you can finally get that super fancy mattress.
- I’ll have to promote the book myself. Publishers have limited budgets and lots of other books to work on. They’ll market your book–as in get it in stores– but not necessarily promote it as much as you’d like. They don’t focus exclusively on your book. If you want people to know your book actually exists, you’ll have to promote it like crazy. Media releases, word of mouth, book signings, book readings, talking to local bookstores, social media outreach, harassing relatives… the list of social endeavors is endless. This ain’t no place for a hermit.
- My book may barely sell a few hundred copies. Lots of published books never sell over a thousand…
- … so my work may not be famous.
- The strength of your fans is in quality, not quantity. Especially in fiction writing. A few people who actually care about your work are better than many who just see it as meh. If success to you means making people happy, even a few fans are enough to satisfy your heart. They’ll even help promote and support your work. If success to you means getting rich, fiction writing is the wrong place to be.
- I’m getting my uni degree. The majority of writers cannot survive financially on their writing alone.
- The hardest part is promoting your book. Writing is easy once you get organized and focused. Getting people to care about your book, however, is not as easy.
- Even after a publisher accepts your work, it could take up to two years until your book is in stores. The publishing process has many elements–editing, cover designing, a whole bunch of other fancy things–which take time, and again, your book isn’t the only one in line.
Overall, I’ve realized that becoming a successful writer requires business know-how, networking prowess and patience, not just writing talent. It’s the same thing with other creative endeavors–actors, artists, singers–you need to get noticed.
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Thanks for reading 🙂
Ça va? Here in Calgary, the weather is divine. Not everyone likes the constantly changing mountain weather, but I love me some changing skies (at least in the summer, lol).
I’ve learned to appreciate Canadian weather and environment after extensive traveling in South Asia (and a brief stint in East Asia). After spending time in places with clogged, dusty air, the minty Canadian breeze feels like heaven on earth (though we’ve got our share of smog days in places like Windsor lol).
I’ve satiated my travel craze for the next ten years, but it’s left me with an intestinal affliction that might not heal for months. Physiologically, this is the worst time for me to get hit: I’m immunocompromised and I can’t take most drugs right now. So all I can do is hope my body fights this off on its own. So far, it isn’t doing too bad. Go immune system, go!
And although it’s the worst time physically, it’s the best time in every other way for me to be the most cripplingly sick I’ll probably ever be. I live with my parents (hi mom) and don’t have to worry about the roof over my head. I can pass out whenever the lack of energy gets too real, or remain catatonically curled up in bed when the worst of the nausea strikes (lemons and ginger people, lemons and ginger).
Despite everything, I’ve set AYAME’s completion date for December, six months from now. There’ll be major distractions along the way, but if I hustle hard, the final version of the manuscript will be complete by then.
I’m limited in my ability to network and spread the word about AYAME, especially at such an early stage, but I know things will pick up. We need stories like AYAME. South Asian girls need more representation in literature. It’s about time we got something more than a high school girl dealing with an identity crisis. It’s about time we got over the fact that a character is Muslim (and it’s about time we got some unapologetically religious characters, too). Let’s push the barriers in more creative genres. I want FEMALE action heroes of colour. I want confident, powerful protagonists that AREN’T scantily clad in sexualized costumes. I want characters who aren’t embarrassed of their differences. I want the narrative to change.